VENENOS DO ROCK

BOA BANDA FORMADA EM 1967 E QUE MISTURA UM BOM ROCK SETENTISTA COMO BASE MAS COM INFLUÊNCIAS PROGRESSIVAS MEIO JAZZ-FUZZION! OS CARAS USAM VIOLINO ELÉTRICO, FLAUTA, SAXOFONE E OUTROS INSTRUMENTOS TRADICIONAIS QUE DÃO A ESTE DISCO A ENTRADA NO MUNDO DOS BONS VENENOS!! They where formed in 1967 and signed with DECCA RECORDS around the year 1969. Their line-up included: Dave Arbus (electric violin, flute, saxophone) Ron Caines (alto sax) Geoff Nicholson (guitar, vocals) Steve York (bass guitar) Dave Dufont (percussion). Their sound is a mixture of jazz-fusion with many oriental influences.Excellent album where you get an outburst of electric violin, flute and saxes combined with Bela Bartok and other classical, oriental and even gypsie tunes always of course on a heavy rock basis. 01. Northern Hemisphere (5:03) 02. Isadora (4:19) 03. Waterways (7:00) 04. Centaur Woman (7:09) 05. Bathers (4:57) 06. Communion (4:02) 07. Moth (4:03) 08. In The ...

EXCELENTE E RARO DISCO DE ESTILO PSYCHEDELIC HEAVY BLUES LANÇADO EM 1972 E QUE É INTEGRADO POR EX-COMPONENTES DA BANDA CAPTAIN BEEFHEART,. É BLUES PESADO E PSICODÉLICO!! Excellent but rare psychedelic heavy blues album issued in 1972 by the late Denny King and B.O boogie band who featured Captain Beefheart's Magic Band's members Alex St. Claire (guitars) and Doug Moon (harp). This album sounds so close to "Safe As Milk" era Beefheart it's spooky, with some furious guitars and sneaky slide along with howling harp and suitably loco crazy vocals. Great! 01. Evil Wind Is Blowing - 2.58 02. Bottle Blues - 2.58 03. Desert Sand - 3.46 04. Sunday Driver - 2.55 05. Boogie Man - 5.16 06. Bessie Mae - 3.10 07. Lucille - 3.09 08. Home Cooking - 4.03 09. Go Down Moses - 2.26 10. Putting Away The Blues - 2.24 1. http://www.zshare.net/download/1002864871ae721a/ or 2. http://www.zshare.net/download/100286438401a75e/

VENENO ESCOCÊS COM UMA BOA DOSE PSYCH FOLK DE ÓTIMA QUALIDADE!! BOA FLAUTA E VIBRAFONE !! VALE CONFERIR!! A highly eclectic album by a folky Scottish trio, this effort ostensibly draws upon sources from Greek and Roman mythology and history, as titles like Minerva, Morpheus, Vesta, and Mnemoysne readily testify. The music is very gentle, with mostly flute, vibraphone and guitar accompanying the melodies . Again, this has nothing to do with "acid folk", but stands well on its own as a mildly unusual and pleasant collection of songs. Stand-out track: the Fresh Maggots soundalike Fates, with brilliant wind instruments. Most Unusual Blend of Instruments Are Featured Here by this Mellow Scottish Trio Including Vibraphone and Flute as Well as Guitars, Oboe and Mandolin . Recorded in 1969, it is a Highly Eclectic Album and Draws Upon Greek Mythology for Inspiration and Direction. Quite Beautiful and So, So Timeless.. 01. Minerva - 4.15 02. Peek Strangely And Worried Evening - 2.4...

GRANDE VENENO VINDO DO JAPÃO!! É BÃO MESMO!! Flower Travellin' Band were an esoteric Japanese psychedelic rock/ heavy metal outfit active in the late 1960s and early 1970s, consisting of Akira "Joe" Yamanaka (vocals), Hideki Ishima (guitar), Joji "George" Wada (drums) and Jun Kozuki (bass). The band was initially organized by Japanese entertainer and entrepreneur Yuya Uchida as "The Flowers," a cover band, and featured two vocalists - male vocalist Yuya Uchida, and female vocalist Remi Aso, who was touted as the Japanese version of Janis Joplin. Their first album consisted of covers of Western pop songs. It was primarily notable for the fact that all of the band members appeared nude on the cover, including Aso, which was considered scandalous at the time. However, after the "Flowers" album, Uchida lost interest and Aso drifted away. The remaining members reorganized themselves, acquiring Joe Yamanaka as a vocalist on the recommendation of U...

UM VENENO AMERICANO RARO DE 1969. ALBUM PSICODÉLICO, ACID-FOLK E ROCK DA ERA FLOWER POWER. RIFF DE GUITARRAS, VIAGEM DE ÓRGÃOS E MELODIAS BUDISTAS.MUITO BOM SOM. VALE CONFERIR!! History: First-ever legit reissue of supremely rare 1969 psych stunner on CD. Blistering rockers with wispy melodies, Buddhist chants with wild-eyed psychedelic anthems: all part of the unique acid-folk vision of LA's Music Emporium, led by keyboard virtuoso/singer Bill 'Casey' Cosby. For this first ever legitimate reissue of their supremely rare 1969 album-now on CD with never-before-seen snapshots, and added five cool bonus tracks. Initially called The CAGE, this trippy West Coast psych band from the 60’s were quite sophisticated for their time. They started off in 1968 when keyboardist Bill Cosby joined forces with guitarist Dave Padwin and two female musicians, namely bassist Carolyn Lee and drummer Dora Wahl. All four were either classically trained or seasoned club veterans, Cosby himself b...

MAIS UM DISCO SENSACIONAL DESTE GRANDE BLUESEIRO BRANCO! ESTE DISCO A BANDA AINDA É OS BLUESBREAKERS, QUE ENTRE OUTROS, JÁ FOI INTEGRANTES ERIC CLAPTON E MICK TAYLOR! ALIÁS, ESTE ÚLTIMO AINDA PARTICIPA DESTE DISCO! BLUES, PSICODELIA, JAZZ E MUITA EXPERIMENTAÇÃO FAZEM DESTE DISCO UMA OBRA PRIMA DO ROCK SETENTISTA!! Bare Wires was the first Bluesbreakers album of new studio material since A Hard Road, released 16 months before. In that time, the band had turned over entirely, expanding to become a septet. Mayall's musical conception had also expanded — the album began with a 23-minute "Bare Wires Suite," which included more jazz influences than usual and featured introspective lyrics. In retrospect, all of this is a bit indulgent, but at the time it helped Mayall out of what had come to seem a blues straitjacket (although he would eventually return to a strict blues approach). It isn't surprising that he dropped the "Bluesbreakers" name after this ...

SÃO ELES MESMOS! NADA MAIS NADA MENOS DO QUE NAZARETH, AQUELA BANDA QUE NOS ANOS 70 ESTOUROU COM O A BALADA QUE VIROU HIT "LOVE HURTS"! MAS CALMA PESSOAL. ESTE DISCO PODE SIM ESTAR AQUI COMO UM DOS VENENOS DO INÍCIO DOS ANOS 70, POIS É O PRIMEIRO DISCO DA BANDA, RARO, COM POUCO APELO COMERCIAL À ÉPOCA E RECHEADO DE HARD ROCKS E BALADAS BLUESEIRAS DE ÓTIMA QUALIDADE! É UMA BOA CHANCE PARA QUEM SÓ CONHECE A FASE COMERCIAL DESTA BANDA! UM BOM DISCO E QUE FICOU ESQUECIDO PELA MÍDIA! E SE FICOU ESQUECIDO PELA MÍDIA E NÃO ROLOU COMERCIALMENTE É PORQUE É BOM, É ROCK N'ROLL DA ESSÊNCIA E NÃO FOI FEITO PRA AGRADAR GRAVADORAS E BABAQUINHAS COMERCIAIS! VALE A PENA CONFERIR! T he hard rocker "Witchdoctor Woman" is a devastating opener, full of killer fuzz guitar and McCafferty's overwhelming vocal power (especially at the end). The solo part is awesome too, listen to the way the guitar scorches while the bass is thumping away like a mastodon. Obviously, they had been...

VENENO PERUANO! ISTO MESMO! PERUANO! E QUE VENENO!! PRA QUEM ACHA QUE MUSICA PERUANA SE RESUME EM EL CONDOR PASA TOCADO NA FLAUTINHA...ESCUTA ISSO E DELIRE!! Este é o terceiro album lançado em 1971. Este tem uma sensação mais progressiva, com a flauta, etc., soando similar a Jethro Tull e Raw Material. Estes peruanos tem um estilo psychedelic de alta qualidade. Disco peruano para colecionadores, visto que poucos sortudos têm esta obra! The third album from 1971. This one has a more progressive feel, with the flute, etc., sounding similar to Jethro Tull and Raw Material. It maintains this group's high quality psychedelic style of recording. One of the finest unknown Psych bands. This fantastic Peruvian band made 4 albums, all highly recommended with great flute passages and tripped out early Floyd like freakouts, "Few collectors... will want to pass up on this remarkable find" (Record Collector). If you want to start checking out the magic of South American psych start her...

VENENO SUIÇO MEU IRMÃO!! NÃO É SÓ O CHOCOLATE QUE É BOM POR LÁ!! Este é o primeiro album do TOAD, banda suiça de primeira linha e lançado originalmente em 1971. Pra quem conhece, os caras desta banda são ex-membros do Brainticket e jorram um rock n'roll, pesado mas com alta qualidade! Seu album de debut é pesado, blueseiro e experimental. Este primeiro disco é raro e difícil de ser encontrado. Tem que garimpar. Seu segundo album, "Tomorrow Blue", que em breve vou disponibilizar neste blog, é hard rock mas com variações surpreendentes ao estilo Sperrmüll, com Hendrix, Status Quo e influências de Rithm Blues. First Toad album, originally issued by Swiss label Halleluja in the 1971. Ex-members of Brainticket investigating the realms of skull crushing heavy rock! Certified savage guitar from Vic Vergeat! Swiss hard rock band formed by members of the original Brainticket, Toad's history is obscure and largely undocumented. Their debut is said to be in the realms of Dies Ir...

OLHA QUE VENENO INGLÊS! VERDADEIRO BLUES ROCK COM PEDIGREE! OLHA OS FERAS QUE FAZEM PARTE DESTA BANDA QUE DEIXOU ESTA PÉROLA E MAIS OUTRO EM 1969 PRA HISTÓRIA! MICK FLEETWOOD (Fleetwood Mac), BOB HALL (Savoy Brown) E OUTROS FERAS DO RAMO! There was certainly a good blues pedigree behind this band with musicians like Mick Fleetwood (of Fleetwood Mac), Bob Brunning and Bob Hall (both of Brunning-Hall Sunflower Blues Band), Jo-Ann Kelly, Dave Kelly and Danny Kirwan (who was also in Fleetwood Mac and later made solo albums) involved, but the end results, two rather unimaginative bar-room blues albums, were frankly disappointing. On account of who played on them, both albums are expensive so the CD reissue, which comes with an information booklet, is welcome from this point of view. Recording sessions involving musicians who do not regularly work together can be notoriously unproductive, the shelves of second hand record shops are littered with dusty remnants of what might have been a great...

ESTE É O GRANDE MESTRE BRANCO DO BLUES/JAZZ. NÃO É UM DISCO TÃO RARO, MAS A SONORIDADE SURPREENDE. MUITA FLAUTA, SAX E HARMÔNICA NUMA MISTURA PERFEITA DE BLUES/JAZZ. BELÍSSIMO DISCO! Recorded just after Mick Taylor departed for the Stones, John Mayall eliminated drums entirely on this live recording. With mostly acoustic guitars and John Almond on flutes and sax, Mayall and his band, as his typically overblown liner notes state, "explore seldom-used areas within the framework of low volume music." But it does work. The all-original material is flowing and melodic, with long jazzy grooves that don't lose sight of their bluesy underpinnings. Lyrically, Mayall stretches out a bit into social comment on "The Laws Must Change" on this fine, meditative mood album. http://w14.easy-share.com/6010371.html

Este disco da banda THE SEEDS não usa psicodelia pura como nos outros albuns, mas sim uma mistura disso com genero garage rock. É um clássico garagero por excelência com pitadas psicodélicas e que PITADAS!! Confira este disco e veja a diferença entre os outrso dois discos publicados aqui. Um blueseiro e outro totalmente psicodélico. Link http://link-protector.com/414329/

VENENASSO PSYCH, ACID, FOLK, BLUES, GARAGE, WEST COAST COM FLAUTAS E OUTROS INSTRUMENTOS!! CLÁSSICO DA PSICODELIA SESSENTISTA!! A blend of folk, blues, jazz, and Eastern psychedelia, 24 Hours is at its best on the more Eastern and experimental influenced pieces like "Pale Shades of Gray" with its eerie melody, "What's the Matter Now," and "Elaborations" with its lengthy raga-ish instrumental with some very effective flute. The album also contains some covers like "Get Out of My Life" and Eric Andersen's "Violets of Dawn" which are just adequate, but their version of "Hey Joe" is exciting. A Trippy psychedelic album with a unique sound, mixing dream improvisation with west-coast styled garage psych, it’s one of the rarest and best private pressings! *Steve DeTray - Guitar *George Galt - Bass, Harmonica, Harp, Rhythm, Vocals *Gary Rosen - Bass, Rhythm, Vocals *Mark Stein - Bass, Flute, Guitar *Jeff Williams - Drums 1. Lo...

Banda psicodélica de São Francisco, liderada pelo violinista David LaFlamme. Ele começou sua educação musical aos cinco anos, foi solista de orquestra sinfônica e no começo dos anos 60 megulhou na cena underground de Frisco, fazendo jams com Jerry Garcia (Grateful Dead) e Janis Joplin. Em meados de 1967 ele fundou a It's a Beautiful Day, juntamente com a sua mulher Linda nos teclados, a vocalista Pattie Santos, o guitarrista Hal Wagenet, o baixista Mitchell Holman e o baterista Val Fuentes. Foi esse time que realizou este álbum de estréia, auto-intitulado, em 1968. As músicas etéras não deixam de ter um toque progressivo. Destaques para "White bird", "Bombay Calling" e "Time is". http://sharebee.com/24034bb3

VENENO DO BOM VINDO DA ISLANDIA! RECOMENDADO! Hard Progressive-Psychedelic Rock from Iceland.Full of Heavy & Doomy Elements. The album was recorded in Denmark but issued in Iceland only. 01. Wandering Around (Axel Einarsson) - 3:18 02. Solution (Ómar Óskarsson) - 5:28 03. A Sad Man's Story (Ómar Óskarsson) - 2:43 04. Jesus Freaks (Axel Einarsson) - 5:33 05. 1999 (Axel Einarsson) - 4:53 06. Scared (Ómar Óskarsson) - 3:35 07. Nightmare (Axel Einarsson) - 4:46 08. The End (Axel Einarsson) - 5:30 Axel Einarsson electric & acoustic guitars, vocals Ómar Óskarsson bass, acoustic guitar, vocals Ásgeir Óskarsson drums, percussion, backing vocals https://mega.nz/file/IpshiQ4J#c9TdN_w2-UKJE5CEzGgy3zQd-cT7xJCKhwvn6nvcHN8

Excellent 1968 Californian band who with their mix of male and female vocalists and fuzz lead guitar bear comparisons with Yankee Dollar or Peanut Butter Conspiracy. If anything this band are better than those acts and their album features some excellent harmonies and nice trippy touches - in particular the Doors like keyboards and backward effects. Other than Vernon Joynson's entry in Fuzz, Acid and Flowers and his very similar summary of the album in "Flashback", used in the sleeve notes for the CD re-issue, there is very little information on this excellent band and their work. Joynson's summary from the sleeve notes was as follows "...similar to Jefferson Airplane and Peanut Butter Conspiracy...based in LA, they were probably Californian. The album contains some pleasant vocal arrangements/harmonies and nice touches of acid and fuzz guitar and is recommended". I couldn't agree more. If it's light and breezy West Coast psych inflected pop you...

P roducer Andrew Sandoval has pulled together twenty-four superb psych-pop tracks from the WEA vaults, including sides culled from master tapes of Warner, Reprise, Loma, Atco, Valiant, and Cotillion. The focus is on singles, with a few album tracks mixed in, and primarily from artists who were either unknown, or were stepping outside their regular domain for an experimental run down the psychedelic highway. Some of the best known names here are those of the session producers, including Lenny Waronker, Jerry Yester, Don & Phil Everly, Don Adrissi, Jimmy Bowen, Joey Levine, Curt Boettcher, and Richard Perry. Better known artists, like The Tokens, are represented by sides that step away from their familiar hits, and the one-off singles and rare album tracks explore lesser known sides of the commercial psych boom. Though recorded in proper studios for major labels, these tracks still temper their hit-seeking with a healthy dollop of experimental. The key years of 1966 through 1968 yiel...

Reissue of a fantastic Californian psych-based only released in 1969 as test pressing (was planned to be released on A&M label but never came out); it had this real 'west coast' guitarsound like Jefferson Airplane, Moby Grape, some folkrock passages ala Fairport Convention but also some exotic hippie atmospheres ala Traffic Sound; great alternate male/female vocals not unlike Balin/Slick but also crystal vocal passages ala Sandy Denny. Underground masterpiece from this mystic folk band out of California. Recorded in the early 70s, it's never been released & test pressings are collector's items. The singer Clara Miles had a voice similar to Grace Slick, especially on the acoustic tracks. Gatefold sleeve. 1. http://sharebee.com/9ebcad03 or 2. http://sharebee.com/ccba2d30

This group of young Californian musicians were all aged between 17 and 21 at the time of their album. They were discovered by Delaney Bramlett (from Delaney and Bonnie) who arranged for a recording deal with Prophesy and for his DelBon company to produce the LP. With Jim Gordon (the keyboard/sax player, not the drummer of Derek and The Dominos) at the controls, the result was a powerful mix of heavy/prog rock with lots of guitar/organ interplay and good vocals. Jim Gordon, Ben Benay (ex-Goldenrod) and the sax-player Jerry Jumonville provided some support. All their material was penned by the group members, with the help of J. Loppnow on two tracks and R. Lawson on one. Three cuts (Number Two, Against The Wall and Feelin' Bad) are over five minutes long and, with the opening Bad Road, are among the better moments. http://sharebee.com/67f86b6c

A very obscure band, from somewhere in the Maritimes, with an album that became more accessible in 1992 because of a counterfeit reissue.Their album is in general amateurish and suffers in the composition level from lack of inspiration. Their nadir is the awful Old Age with an inconsistent melody line and out of tune vocals in parts, but fortunately the rest of the tracks are not that bad. In fact there are some good enough compositions like the mid-tempo, organ-dominated Business, the slow and melodic The End and the more hypnotic Tomorrow Morning which is reminiscent of It's A Beautiful Day. The heavier tracks like Song For The Sea, Broke and The Politician are not so distinctive, but Long Day, which sounds similar to Bent Wind, and the psychedelic (with a garage/basement feel) Higher featuring lots of fuzz guitar leads, are satisfying. PROFESSOR FUDDLE'S FANTASTIC FAIRY TALE MACHINE (1974) - A short-lived seventies outfit from Toronto, Ontario. Paul Bradbury, who was also in...

They started out as a skiffle act from Ealing, called The Playboys and then became a R&B combo The Tomcats. John (Speedy) Keen was in them for a while. In 1966, The Tomcats went to Spain with a new line-up (the future July one). As Los Tomcats, they got in the Charts with four EPs, one of which was all in Spanish! They returned to the UK in 1968, still basing themselves in Ealing. July recorded what has become one of the most sought-after British psychedelic sixties albums. Twenty-five years on time has not been kind to all the tracks (e.g. Jolly Mary) but overall it's well worth purchasing for its eerie brand of psychedelia (on Dandelion Seeds and My Clown) and some fine psychedelic guitar work (Crying Is For Writers). More accessible are the Bam-Caruso reissue, which was put out in a different sleeve, and the Aftermath CD reissue. Both also include the second 45, which wasn't on the first album. Duhig and Field went on to be in Jade Warrior and Tom Newman later released s...

The South London-based Killing Floor was originally a pop duo formed by lead guitarist Mick Clarke and vocalist/harmonica player Bill Thorndycraft. During the British blues boom of 1968-1969, they decided to form a "straight blues" group, recruiting prospective members from the classified pages of Melody Maker. Joining them were piano player Lou Martin, bassist Stuart MacDonald, and drummer Bazz Smith. Taking their name from Howlin' Wolf's "Killing Floor" (Wolf's cover was itself a version of Robert Johnson's "The Lemon Song"), the band played just one gig before ex-Radio Caroline DJ and ardent blues fanatic John Edward offered to manage them. Edward's connection with the Southern Music publishing company led to them signing with Southern's Spark Records imprint. The band was booked into Pye Recording Studios and with Edward aboard as "producer," they recorded their self-titled debut in 12 days' time. Most of the mat...